Thursday, January 23, 2025

Best of 2024

 6) BIG | BRAVE - A Chaos of Flowers

As Donald signs executive orders demonizing and effectively outlawing the DEI movement, I've been reflecting on what DEI means to me and since the theme of this year is to talk less about music and more about my meaningless musings, here are my thoughts.

I've never chosen a metal band for my list simply because it was a female led project. Never consciously that is. I think music should be judged on merit alone and I simply don't give a shit about how societal movements see music or any artful expression for that matter. When Tipper Gore took on heavy metal, she thought it was evil and destructive, but what she was doing was evil and destructive. Any movement that attempts to artificially promote or obstruct art because of some subjective virtue is likely to end up harming society in some measurable way. The zeitgeist and time decides what is good and no arbitrary group has any right to tell the zeitgeist what it should favor.

This is easy to say about art in a vacuum, but the thing that makes it instantly complicated is money. If you see that some industry is dominated by white men and that industry is making boatloads of money, it seems obviously unfair that women or any other segment of society who isn't white and male don't get a piece of the pie. When it comes to heavy metal, no one cares about this because there simply is no money. Underground metal is only pursued because it is a personal passion and most of the involved musicians have day jobs. That's why it's so easy for me to say DEI is dogshit in respect to true art.

But, when men and women need to pay the same amount in rent, it becomes obviously unfair that men get jobs easier, get paid more, and have greater upward mobility.

And the whole, "companies must maximize merit" argument when applied to getting jobs is dogshit because of how the job market works. It just doesn't matter if the white male has an extra certification, or an extra 6 months, or happened to be slightly more charismatic in an interview. MOST jobs are completely arbitrary, can be learned in a short amount of time, and the people occupying those jobs are largely interchangeable. There's NO way to tell if a person is a good fit for a job until they succeed or fail, and any post hoc rationalization for a failure is going to be bullshit.

DEI was designed to confront this by making sure hiring practices are more fair. My employer at one time held quarterly reviews of how many women and people of color were hired over the past 3 months and celebrated when those numbers were high. Did that make me feel undesirable as an employee? Yes, but I'm paying for the sins of my brethren and didn't take it personally.

Many did take it personally, many who hold positions of power, and because of their insecurity, DEI is being systematically dismantled. This experiment failed.

So what's the next experiment going to look like? Or will it be back to the boys club? I'm honestly not sure. If I were in charge I would do something dumb like keep a registry of all parents who recently had a little girl and send them free copies of A Brief History of Time (for physics), How to Win Friends and Influence People (to understand how white men fuck other people into submission), and The Origin of Species (for biology). STEM and knowing how people fuck each other are essential for all children actually and a broader mandate including boys would probably just fix society generally speaking.

What I'm actually going to do is sit back and watch the zeitgeist swing its scythe. BIG | BRAVE might be spinning as failed progressive programs bleed out. They've created a remarkable record here, including truly original guitar arrangement and tone which builds an overall haunting and witchy atmosphere I hope they continue to develop.

Sunday, January 19, 2025

Best of 2024

 7) Wormed - Omegon

Cosmic death metal album #2. Wormed are actually one of the OG cosmic death metal examples. And they happen to be one of the extreme metal bands that firmed up my passions when I was still young and malleable. I remember spinning them at the same time as Myrkskog, Zyklon, and Cryptopsy trying to decide which was most extreme. And, after 8 years of silence Wormed comes back with this, a polished, modern-sounding, expertly produced, punishingly brutal, cosmic death metal record.

Do I wish they produced more? Yep. I also admire the damn miracle it is to come off of a near decade hiatus with this caliber of record. I'm not the only one singing praises. Lots of lists I poked through mentioned this and for me, it was between this and Defeated Sanity, which was also on a lot of lists. But, because I am who I am, the nerdy sci-fi shit was enough to edge out that record. (Not to mention Defeated Sanity leaned way too far into the comically bad snare drum sound so commonly featured in brutal death metal, (you didn't hear it from me)).

Sunday, January 5, 2025

Best of 2024

 8) Verberis - The Apophatic Wilderness

Hey, you all know Ulcerate came out with an album this year, it's in here, surprise spoiled. But, did you know Ulcerate's drummer Jamie Saint Merat is in another band that also had a release this year?! You would know if you read my list from years past because this isn't their first appearance.

Verberis plays progressive black metal strongly influenced by Deathspell Omega. Deathspell Omega has historically been accused of using a drum machine, but denied this in an obscure interview no one's ever read. Listening to Deathspell you'd understand where the speculation comes from, the drumming on on their albums seems superhuman. I would bet there's some production magic happening on those early albums, but I would fall short of accusation of it being faked with technology.

This being said, any band that chooses to take influence from Deathspell Omega is taking on a very specific burden. The percussion needs to feel like it's produced by an unhinged savant. In saying that you might be worried JSM might steal the show, but just like in Deathspell, the percussion is simply there to provide momentum to the compositions of existential hell. When he needs to be, JSM is a modest drummer, articulate, exacting, but ultimately in service to the music.

This is a "sit down and take it in" kind of album. It requires patience and attention. Given that, it's particularly interesting that it contains my favorite guitar solo of the year. It's at the 6 minute mark of the final track. Enjoy.

Best of 2024

 9) Siderean - Spilling the Astral Chalice

Remember last year, when I said Afterbirth was a flash in the pan, that no one else would be taking brutal death metal into the astral plane anytime soon, and I shouldn't get my hopes overinflated that death metal would transcend from pure violence?

It's happening, it's fucking happening right now. What we're witnessing is nothing short of a renaissance. The cause for this new direction could be argued. I have a feeling it has to do with a sort of pendulum swing. Death metal for a very long time has been about brutal violence, torture, rape, but it wasn't always like that. Death metal's beginning was characterized by bands seeking meaning. Death, Gorguts, Cynic. These bands took something that was relatively new and swung for the fences with existentialism. Then bands like Cannibal Corpse, Dying Fetus, Aborted, etc brought the genre into a much easier place of endless brutal gore. All you have to do to write violent death metal is to open any anatomy book and channel your inner abused child, let them free to run wild with abandon, let them dissect, bleed, and meat hook mount the women who rejected them, the parents who didn't understand them. This, while cathartic to some extent, is very childish and gets old very quickly.

So what are extremely intelligent post-modern death metal musicians expected to do in a space characterized by brutality? Transcend, reflect on what Chuck, Luc, and Paul were trying to accomplish in the 90s, reflect on what it means to truly break free from a society attempting to impose conformity onto every system it encounters.

I termed Afterbirth as Psychedelic Brutal Death Metal last year, but I want to take a step back and reassess (since I'm a genre whore) and begin using a different term that allows more bands into this merry troupe of miscreants: Cosmic Death Metal. The genre is characterized by brutal dissonance, by creativity, by transcendence beyond the earthly plane. I'm expecting many more to join the ranks over the next few years and I'm here for it.

In explaining this I haven't said a damn word about this particular album and I'm not going to correct that now. Just go listen to it if you give a damn about music.

Best of 2024

 10) Pijn - From Low Beams of Hope

This was my little secret of the year. It will not appear on any other lists unlike the rest of my picks. It's a modest little post-rock album, the best post-rock album of the year.

I was one of the misguided youths who got way too into Godspeed You Black Emperor and Explosions in the Sky in my 20s. Since then I've followed the zeitgeist and moved away from post-rock as a genre. There just isn't much interesting activity happening in this space. New bands are largely local acts retreading familiar ideas that have a hard time breaking through.

I'm not sure what it was about the 90's and 00's that created an environment where post-rock was allowed to gain popularity in the first place. The genre is missing the primary element that makes a band compelling, a charismatic leading presence. The genre instead relies on a continuous interplay of musical elements. The selling point is in dynamics. The best albums of the genre find a way to marry quiet moments with big cathartic crescendos in long-form compositions. But, I get the feeling it's incredibly difficult to strike gold with this formula because it happens so seldom.

Pijn reset my expectations for post-rock this year. I doubt it'll reinvigorate the genre, but I have been doing my best to spread the word.