7) Katalepsy - Gravenous Hour
Tons of brutal/technical death metal this year and a lot of it was very good. Obscura, Wormed, Deviant Process, all had great albums and this was a tough call, but Gravenous Hour was the finest moment in 2016 for death metal to my ears. The brutality on display here is crushing, but amidst the requisite palm-muting majesty are some of the best guitar leads to come out of the genre since, well... the last Katalepsy record. What can I say, this band has never disappointed. Many will disagree and I'll readily admit Wormed was more brutal, Obscura more technical, but Katalepsy does both absurdly well and that takes a hell of a lot of talent and devotion to something inherently very ugly. Who needs sugar and shine when you can make ears bleed and necks break.
Monday, December 26, 2016
Best of 2016
8) Wormrot - Voices
Wormrot has been on my radar for a while, but for some reason I've never taken them that seriously. It's extremely possible I just wasn't angry or frustrated enough in the past to add them to the soundtrack of life. This year was at times dark and Voices was a bit of aural violence to give the burgeoning chaos a little context. Of all the records on my list this would be the last I'd recommend though because it is, after all, a grind record. You can't just get into this album without appreciating noisy, raucous music. If you're curious about it I'd gladly suggest a few punk records, then a few hardcore records, then a few grind records and then it might be a little more manageable of an experience, but until then, listeners beware.
Wormrot has been on my radar for a while, but for some reason I've never taken them that seriously. It's extremely possible I just wasn't angry or frustrated enough in the past to add them to the soundtrack of life. This year was at times dark and Voices was a bit of aural violence to give the burgeoning chaos a little context. Of all the records on my list this would be the last I'd recommend though because it is, after all, a grind record. You can't just get into this album without appreciating noisy, raucous music. If you're curious about it I'd gladly suggest a few punk records, then a few hardcore records, then a few grind records and then it might be a little more manageable of an experience, but until then, listeners beware.
Best of 2016
9) Spirit Adrift - Chained to Oblivion
I'm a sucker for classic bluesy doom, ask anybody. Spirit Adrift is the best doom of the year and almost unbelievably the whole thing is written and recorded by one guy. Listening to this is a true testament to how technology has enabled us to learn anything, to create anything as long as we have the requisite passion. I should subtract points because I value teamwork and compromise but this record is just too good to not cherish the vision of the one guy, Nate Garrett. There are hooks and riffs on here that easily rival the latest from Pallbearer, a group of gents at the absolute top of their game. As far as I know this record flew well under the radar of awareness this year and it's a damn shame because rolling down the road with Chained to Oblivion thundering was good fun.
I'm a sucker for classic bluesy doom, ask anybody. Spirit Adrift is the best doom of the year and almost unbelievably the whole thing is written and recorded by one guy. Listening to this is a true testament to how technology has enabled us to learn anything, to create anything as long as we have the requisite passion. I should subtract points because I value teamwork and compromise but this record is just too good to not cherish the vision of the one guy, Nate Garrett. There are hooks and riffs on here that easily rival the latest from Pallbearer, a group of gents at the absolute top of their game. As far as I know this record flew well under the radar of awareness this year and it's a damn shame because rolling down the road with Chained to Oblivion thundering was good fun.
Best of 2016
10) Perturbator - The Uncanny Valley
I've wanted to pay homage to synthwave for some time now, but this is the first time a major release from the genre really deserves it. The Uncanny Valley is a remarkable piece of period music. The period is most certainly 80's and this sounds authentically 80's, polished up and ready to be the soundtrack for quasi-futuristic dystopian cinema. Letting the imagination run while spinning this record brings images of blazing neon car chases, slick street fighting in leather, human v. technology quandaries, etc, etc. I really do think this is the high water mark of the synthwave movement so far, but there is a glaring opportunity for whoever wants to follow this record's lead. Two songs on here blow all other material away for the simple reason of having vocals, a narrative to follow. This record begs to be a cinematic experience and without the accompanying film it needs a story to keep us engaged. Tracks 5 and 8 are examples of how to make synthwave as effective as possible and I hope like-minded composers take note.
Postscript - I don't believe in censorship so the original cover art is presented. If it offends you feel free to find your PG rated, vanilla flavored life elsewhere.
I've wanted to pay homage to synthwave for some time now, but this is the first time a major release from the genre really deserves it. The Uncanny Valley is a remarkable piece of period music. The period is most certainly 80's and this sounds authentically 80's, polished up and ready to be the soundtrack for quasi-futuristic dystopian cinema. Letting the imagination run while spinning this record brings images of blazing neon car chases, slick street fighting in leather, human v. technology quandaries, etc, etc. I really do think this is the high water mark of the synthwave movement so far, but there is a glaring opportunity for whoever wants to follow this record's lead. Two songs on here blow all other material away for the simple reason of having vocals, a narrative to follow. This record begs to be a cinematic experience and without the accompanying film it needs a story to keep us engaged. Tracks 5 and 8 are examples of how to make synthwave as effective as possible and I hope like-minded composers take note.
Postscript - I don't believe in censorship so the original cover art is presented. If it offends you feel free to find your PG rated, vanilla flavored life elsewhere.
Best of 2016
Introduction
Allow me to be contrarian for a brief moment in time. 2016 was a good year for one reason and it's a fairly objective one. Some of us have survived it to continue to experience life. It's really that simple. So many of our heroes died, so many poor choices were made, so many turbulent situations developed into the worst case scenario, but those still breathing, still able to read and write, still able to learn and grow, will look at the past year, examine the events, and try to be better, to do better in future. Many individuals will go down the same path, make the same poor decisions, bitch and moan about the same tired things, but as the pendulum has swung aggressively in one direction it is sure to swing back. The individual has the choice to hop on board or stay where they are and be swept away by the winds of change.
As far as music is concerned 2016 was appropriately difficult. Many of my favorite bands released some of the worst music of their careers. Who knows why, be it a lack of inspiration on their part or particularly specific tastes on mine. Even though my own personal disappointment will pollute memories of music this year, there were a few albums that still made this whole listing process a meaningful and important endeavor.
The following are my favorite albums of the year, some will be known, some unknown, but all worth a spin if you're open enough and patient enough as 2017 instills a fresh feeling of hope.
Allow me to be contrarian for a brief moment in time. 2016 was a good year for one reason and it's a fairly objective one. Some of us have survived it to continue to experience life. It's really that simple. So many of our heroes died, so many poor choices were made, so many turbulent situations developed into the worst case scenario, but those still breathing, still able to read and write, still able to learn and grow, will look at the past year, examine the events, and try to be better, to do better in future. Many individuals will go down the same path, make the same poor decisions, bitch and moan about the same tired things, but as the pendulum has swung aggressively in one direction it is sure to swing back. The individual has the choice to hop on board or stay where they are and be swept away by the winds of change.
As far as music is concerned 2016 was appropriately difficult. Many of my favorite bands released some of the worst music of their careers. Who knows why, be it a lack of inspiration on their part or particularly specific tastes on mine. Even though my own personal disappointment will pollute memories of music this year, there were a few albums that still made this whole listing process a meaningful and important endeavor.
The following are my favorite albums of the year, some will be known, some unknown, but all worth a spin if you're open enough and patient enough as 2017 instills a fresh feeling of hope.
Friday, July 15, 2016
Pokemon Go and the Future of Augmented Reality
Augmented reality is no doubt the future of gaming and it’s very easy to see why. As we open our eyes from the night’s restful sleep and embark upon our day there is an undeniable sameness in a large portion of the world we encounter. The mundane details of what color our room is, how soft our sheets are, stumbling dizzily into the bathroom, even our own face is familiar and not worthy of a moment of remark or reflection. What an augmented reality game does is overlay all the mediocrity with something new and in the case of Pokemon Go, the overlaid content is cartoonish little creatures you, as a participant, must capture in order to battle other participants in a virtual arena.
The premise of the game is remarkably simple considering how quickly it lit the smartphone wielding population on fire. But, this is the first well-designed, well-executed augmented reality game to come on the scene, a game which provides a very real sense of nostalgia for a certain generation who consumed the original incarnations of the Pokemon franchise. Of course once that generation was saturated with the phenomenon, it was only a matter of time before the youth not immediately involved felt left out of something special and joined the party. Pokemon Go is the first big hit in augmented reality, but it certainly won’t be the last and we have to be prepared for what that means. In the following content, I want to identify the obvious pitfalls of augmented reality as well as its potential to shape the future.
There are already reports coming into local news stations describing the dangers of augmented reality and this is due to the fact that the outside world is not nearly as safe as the living room where most games are played. Players are walking into busy streets, falling from steep cliffs, and being robbed of their smartphones all while distracted by the object of the game. Reality is already very complex and often very dangerous. When additional content is being overlaid onto reality we’re challenged by what is basically a new test of natural selection. Only the players who can stay vigilant of their surroundings will save themselves from being embarrassed, injured, or in the most extreme of accidents, killed. This may seem like a dramatization, but we have to keep in mind that this is only the beginning and with the passage of time the overlaid content will become more complex, more involving, more distracting.
Another concern is actually an observation of a very short-sighted report also being described by local news. The game is provoking those with social anxiety and depression to emerge from their solitary homes and interact with the general populous. This may seem like a boon for the overall status of mental health, but this leap is an exercise in ignorance of what mental illness is and what it takes to resolve it. Someone suffering from a condition which keeps them indoors isn’t being cured by the game. They still have that mental illness, but there is obviously solace in clinging to a very simple set of rules to make the outside world more tolerable and as concluded previously, the game is simply the extra content being overlaid and the world is still a difficult place to navigate. If the socially disadvantaged are thrust into the world without the necessary skills to navigate the world, there will be a gradient of conflict as diverse as the spectrum of mental health.
The conflict that I find most insidious is the potential augmented reality has with concern to marketing and advertising. There are already plans to allow businesses to pay to have their location a focal point in the game, provoking players to enter the business where you might be able to purchase game content as an add-on to the products the company is selling. This might not seem like a problem when the company is a nameless hypothetical just looking to widen their advertising strategy, but when the leading company showing interest in this feature is McDonald’s the problem becomes apparent. Large corporations are large because they’ve found a way to take advantage of their consumer base. The object of any large corporation is to use profit to get people addicted to their product, so addicted they feel they have no choice but to come back and contribute more to the profit creating a vicious cycle of dependence. McDonald’s has successfully convinced the American public that what they sell is food, when it most certainly isn’t. If there is anything that needs to be controlled in this country it is the limitless potential of advertising to convince people that they need things that are inherently vapid, superficial, or poisonous. People still have a right to kill themselves slowly with dangerous goods, but they certainly don’t need the prospect of catching more Pokemon to provoke their children to do the same before they have the cognizance to make educated decisions.
As for what positive effect augmented reality might have going forward, the feature from Pokemon Go that immediately springs to mind is the pedometer influencing how well you do in the game. Any game that goads people into getting a little more exercise is fighting the good fight and going forward one can see how this feature might be expanded into something very beneficial. Imagine gyms taking advantage of this flavor of augmented reality, challenging participants to push themselves harder, rewarding them with virtual goods while receiving the reward of health and longevity along the way. The general concept can be applied to eating healthier, to exploring the world in a thoughtful productive way, to contributing to local charities and volunteer opportunities. Of course you could do all of those things without a set of rules from augmented reality games telling you to do them, but if a bit of social technology is what’s necessary to call people to action then so be it.
Augmented reality outside of the context of a game structure is what excites me the most because it offers a way to know more about our environment immediately and help us on the journey through our respective lives. Imagine walking into a botanical garden and being able to identify any species of flora that passes in front of your phone’s camera. Imagine an app that could look at the shelf of books at a local book store and highlight novels recommended based on your history of reading. Imagine walking through a historical American town and being given a wealth of information of literally anything that might have historical significance. If knowledge is your goal in this life, augmented reality will eventually be able to give you more than you could ever dream of.
It will be important in the coming years to identify augmented reality as the next technology, currently innocent in its infancy, but with time used for a host of diversions, some so distracting we may find ourselves distanced from the reality around us, some so informative we may find reality richer and more worth our attentions. The thing to keep in mind is that the evil people of the world will use augmented reality for evil, taking advantage of anyone not paying close enough attention, and good people will use it for good. It will be important to identify the difference and as consumers, as members of a representative democracy, guide the direction this new technology will take us.
Thursday, December 31, 2015
Best of 2015
1) Tribulation - The Children of the Night
If there had been someone in the passenger seat of my red mustang on every trip into the crowded streets of Denver this year they’d say something along the lines of, “Tribulation… again… really?” And I’d respond, “Yeah, for realz, until the end of all things, deal with it.” Children of the Night manages to be old-school and modern at the same time, it manages to be classic rock and death metal at the same time, it manages to be melodic and dissonant, catchy and progressive, groovy and unpredictable. This is the album of the year by far and the metal album of the decade. Listening to The Children of the Night right now is making me tremble with excitement and I can think of no better way to spend the final moments of 2015.
Best of 2015
2) Ahab - The Boats of the Glen Carrig
The first time I spun this album the only thing I could think was that it’s just not as good as their last record, “The Giant.” But, then I listened to it a few more times. And after that, I bought the book this album is based on and read it. Then I realized I’m a damn fool for feeling disappointed. In all honesty, as long as a funeral doom band exists who makes an effort to write albums based on classical literature, they’ll be near the top of my list. I love this style of music, love it. And I love literature, and if a band provokes me to read something, then well, I’m going to read it. The combined experience of listening to this, and reading the lyrics, and reading the novel is more than any other band has ever given me. It’s not my number one spot because it’s not as good as The Giant. This record doesn’t have the weight or memorability of tracks like Aeons Elapse or Deliverance, but I still love it more than most other music of 2015.
The first time I spun this album the only thing I could think was that it’s just not as good as their last record, “The Giant.” But, then I listened to it a few more times. And after that, I bought the book this album is based on and read it. Then I realized I’m a damn fool for feeling disappointed. In all honesty, as long as a funeral doom band exists who makes an effort to write albums based on classical literature, they’ll be near the top of my list. I love this style of music, love it. And I love literature, and if a band provokes me to read something, then well, I’m going to read it. The combined experience of listening to this, and reading the lyrics, and reading the novel is more than any other band has ever given me. It’s not my number one spot because it’s not as good as The Giant. This record doesn’t have the weight or memorability of tracks like Aeons Elapse or Deliverance, but I still love it more than most other music of 2015.
Best of 2015
3) Vhol - Deeper than Sky
Supergroups usually fail, miserably falling under the weight of combined ego in the writing/recording room. When a supergroup works it’s like distant planets aligning, it’s like two neutron stars colliding, the product of which is pure gold. Deeper than Sky is all about energy and excitement, punky at times, thrashy at times, and always uniquely genuine. This record sounds like the product of a band that has been together for decades. There’s nostalgia here that is so absurdly fun to listen to and I want more. I want them to be together for decades to come. The fact that the lead vocalist also mans the helm of YOB, a man I bearhugged at the end of one of their shows, makes this album that much more meaningful to me.
Supergroups usually fail, miserably falling under the weight of combined ego in the writing/recording room. When a supergroup works it’s like distant planets aligning, it’s like two neutron stars colliding, the product of which is pure gold. Deeper than Sky is all about energy and excitement, punky at times, thrashy at times, and always uniquely genuine. This record sounds like the product of a band that has been together for decades. There’s nostalgia here that is so absurdly fun to listen to and I want more. I want them to be together for decades to come. The fact that the lead vocalist also mans the helm of YOB, a man I bearhugged at the end of one of their shows, makes this album that much more meaningful to me.
Best of 2015
4) Horrendous - Anareta
Best of 2015
5) Abyssal - Antikatastaseis
The skill of harnessing dissonance is lost on most people, but as time goes by, as recording technology advances, as the arms race that is death metal proceeds, I watch in gleeful horror as albums like this are created. Antikatastaseis by Abyssal is this year’s height of dissonance, a winding nightmare of aural abuse. Why on earth would an album like this be appealing? For the simple reason that the hunger for sensation can be an addiction and beauty is only one component of being. Give me the ugly bits too, the rusted, razor sharp edges that cut deeply and leave scars.
The skill of harnessing dissonance is lost on most people, but as time goes by, as recording technology advances, as the arms race that is death metal proceeds, I watch in gleeful horror as albums like this are created. Antikatastaseis by Abyssal is this year’s height of dissonance, a winding nightmare of aural abuse. Why on earth would an album like this be appealing? For the simple reason that the hunger for sensation can be an addiction and beauty is only one component of being. Give me the ugly bits too, the rusted, razor sharp edges that cut deeply and leave scars.
Best of 2015
6) Marriages - Salome
I have a different relationship with the female fronted bands that make my list. It’s more than just appreciating the music on display. Call me a big sexist, but I can’t help it. I have a crush on Marriages, it feels like infatuation and each successive spin of this record is like a quiet candlelit rendezvous. Salome brings me a sense of calm the actual females in my life haven’t quite been able to manage. And I’ll be honest, if a girl ever listened to this and said, “Wow, this is a great record,” my response would naturally be, “You wanna makeout?”
I have a different relationship with the female fronted bands that make my list. It’s more than just appreciating the music on display. Call me a big sexist, but I can’t help it. I have a crush on Marriages, it feels like infatuation and each successive spin of this record is like a quiet candlelit rendezvous. Salome brings me a sense of calm the actual females in my life haven’t quite been able to manage. And I’ll be honest, if a girl ever listened to this and said, “Wow, this is a great record,” my response would naturally be, “You wanna makeout?”
Best of 2015
7) Code - Mut
There were three outstanding vocal performances this year that caught my attention, Leprous, Dodheimsgard, and Code. Congregation by Leprous is a remarkable album, but it had too many dull moments to make my list. A Umbra Omega by Dodheimsgard is an eccentric nightmare of a record and it’s possible if I had a more open mind that would occupy this space, but for my taste it was too weird without being charismatic. Mut by Code is the winner for me. The vocal performance is theatrical in all the right ways, charismatic, dynamic, full of texture and passion, and underneath the vocal is a lush piece of progressive music. Mut is at times gentle and beautiful, at times very dissonant and unnerving, and the transition between those two moods feels like a journey that I’ve taken many times over the course of 2015.
There were three outstanding vocal performances this year that caught my attention, Leprous, Dodheimsgard, and Code. Congregation by Leprous is a remarkable album, but it had too many dull moments to make my list. A Umbra Omega by Dodheimsgard is an eccentric nightmare of a record and it’s possible if I had a more open mind that would occupy this space, but for my taste it was too weird without being charismatic. Mut by Code is the winner for me. The vocal performance is theatrical in all the right ways, charismatic, dynamic, full of texture and passion, and underneath the vocal is a lush piece of progressive music. Mut is at times gentle and beautiful, at times very dissonant and unnerving, and the transition between those two moods feels like a journey that I’ve taken many times over the course of 2015.
Best of 2015
8) Protolith - Dark
Back in 2010 (OMG 5 years ago…) I featured a band named Questioner on my list. They were there because they managed to show a mastery of several different styles of extreme metal while keeping everything cohesive and organic. They were a bandcamp discovery, a product of looking through pages and pages of new releases by new bands that have near zero recognition in the scene. Finding and appreciating Dark by Protolith was a very similar experience. They’re a modest, unsigned outfit showcasing a remarkably diverse flavor of extreme metal. This is a progressive sort of blackened death metal, slightly reminiscent of Withered, but with more space in the mix, more wandering in the compositions. I say wandering but never without purpose, feeling more along the lines of introspection eventually resolved with big memorable riffage. This is a skill Opeth perfected a long time ago, but very few bands have managed to be so effective with it since. Protolith may just be a one-hitter of a band just like Questioner, never to be heard from again, but this album is worthy of attention as one of the best of 2015.
Back in 2010 (OMG 5 years ago…) I featured a band named Questioner on my list. They were there because they managed to show a mastery of several different styles of extreme metal while keeping everything cohesive and organic. They were a bandcamp discovery, a product of looking through pages and pages of new releases by new bands that have near zero recognition in the scene. Finding and appreciating Dark by Protolith was a very similar experience. They’re a modest, unsigned outfit showcasing a remarkably diverse flavor of extreme metal. This is a progressive sort of blackened death metal, slightly reminiscent of Withered, but with more space in the mix, more wandering in the compositions. I say wandering but never without purpose, feeling more along the lines of introspection eventually resolved with big memorable riffage. This is a skill Opeth perfected a long time ago, but very few bands have managed to be so effective with it since. Protolith may just be a one-hitter of a band just like Questioner, never to be heard from again, but this album is worthy of attention as one of the best of 2015.
Best of 2015
9) Elder - Lore
This is the only album on my list this year that can be considered even slightly accessible. That may say something about my labyrinthine experience with 2015, but the amount of fun these guys have making music is enough to make the sourest of sourpusses romp with glee over riffs somewhere between Skynyrd and early Baroness. And as fun as this is, the composition is rife with key changes and unanticipated interludes, melodies that come out of nowhere, that make you very aware of the songwriting ability on display here. Lore may as well be titled “How to make a 12 minute song compelling from start to finish.” More people should take note of this band because they deserve it and so far they have passed well under the radar of recognition.
This is the only album on my list this year that can be considered even slightly accessible. That may say something about my labyrinthine experience with 2015, but the amount of fun these guys have making music is enough to make the sourest of sourpusses romp with glee over riffs somewhere between Skynyrd and early Baroness. And as fun as this is, the composition is rife with key changes and unanticipated interludes, melodies that come out of nowhere, that make you very aware of the songwriting ability on display here. Lore may as well be titled “How to make a 12 minute song compelling from start to finish.” More people should take note of this band because they deserve it and so far they have passed well under the radar of recognition.
Best of 2015
10) Valborg - Romantik
My list for the past few years has begun with an album that sets a certain mood, a gentle introduction to the high weirdness that is to follow. I can think of no better album to set the tone than this. Valborg has an undeniably uncanny ability to create music that seems on the surface monotonous, yet, with a little patient exposure, infectiously hypnotic. Upon first spin of this I couldn’t help but long for the bludgeoning weight of their high water mark, Barbarian, but this is a much different album. Romantik is stripped down minimalism with anthemic chants that make the overall experience reminiscent of a funeral march, steady, measured, and filled with purpose.
My list for the past few years has begun with an album that sets a certain mood, a gentle introduction to the high weirdness that is to follow. I can think of no better album to set the tone than this. Valborg has an undeniably uncanny ability to create music that seems on the surface monotonous, yet, with a little patient exposure, infectiously hypnotic. Upon first spin of this I couldn’t help but long for the bludgeoning weight of their high water mark, Barbarian, but this is a much different album. Romantik is stripped down minimalism with anthemic chants that make the overall experience reminiscent of a funeral march, steady, measured, and filled with purpose.
Wednesday, December 16, 2015
Movie: The Lobster
I make no secret of loving surrealism.
Artistic expression that pushes the limits of reality is a source of
untapped emotions, a perception of the new, the opportunity to be
reborn and see something for the first time. I've found myself
focused on things that don't seem to change, the violence, the
shortsightedness, the stubbornness presented in the scroll of daily
events. The Lobster is a film that wipes it all away for a moment and
replaces it with something different, something initially absurd, but
with reflection, something allegorical, something intimately poetic.
The heart of the story reminded me of 1984, forbidden love in a world
incapable of allowing individual freedom. The context of that love
shined a light on the expectations of love from the outside, the
subtlety of judgment between couples and loners was magnified, the
line between them turned into a wall of violence and metamorphosis.
As a viewer, I was rooting for love, but there was an ultimate cost
which presented a question. Do we seek the opportunity to learn from
a partner, to learn from each other's vulnerabilities, or do we seek
a partner with the same vulnerabilities, a chance to not feel alone
with our individual flaws? Personally speaking, this is a very hard
question to answer.
Wednesday, June 10, 2015
Movie: Kumiko, The Treasure Hunter
All films have the potential to provoke thoughtful discourse, even if they're awful. Awful films beg questions about the spirit of the times, about the social climate in which they were developed. The point is that too often in my generation, as soon as the credits roll, there is no discussion. The experience is locked away as a temporal event, not considered or reflected upon, forgotten. Some of this has to do with the "haunting" possibility of a spoiler. We need to protect those who haven't seen a particular film from ever knowing a single detail about the film as if a single conflict, a general brush stroke carries the essence, the entire importance of the film. I would first like to highlight how ridiculous this is. Sure, awful films where hardly anything happens, with mundane characters and a big obvious twist may be hurt by knowing that twist in advance. But with good films, I'll have to mention a suitable cliche, "The destination isn't as important as the journey." I don't care what the major conflict of the film is. I care about how each character creates or encounters that conflict and how they attempt to resolve it. Given that, I don't give a damn if someone spoils the ending of a film to me, if I know it's going to be good, I'll still spend the time to drink up every detail, every nuance that leads up to that ending.
The other reason for silence is the idea that movies are purely entertainment, a temporary escape from the norm. When the credits roll the norm returns and there is nothing to be said. As much as I sympathize with people too busy to reflect, I could never empathize with them because it's the reflection that nurtures growth. Watching films without a follow-up discussion is missing an opportunity to learn, to mature, to be a better person. A lack of reflection is the simple acceptance of stagnation as an individual which is and has always been a widely ignored epidemic of the human race. There's nothing more dangerous than a person unwilling to accept new ideas.
Now why all this discussion leading up to a few words on Kumiko, The Treasure Hunter? I say the above because this is a film that would be very easy to dismiss without a word of reflection because the premise is absolutely ridiculous. A premise this ridiculous is sure to make a good number of people question the importance of the film. It may have even caused a whole lot of people to walk right out of the theater well before the credits. But, as I said above, people focused on the major conflict of a film have missed the journey, and that is precisely what this film is about. Kumiko expresses very charmingly that no matter what your goal is, it's incredibly important to seek that goal passionately and not let anyone slow you down or prevent you from attaining it. Kumiko understands very well how short life is, how tedious the people currently surrounding her are, and how the treasure she seeks will bring her a better life. This is a film that will easily win you over if you're open enough to let it. Of course if you're closed to the new and strange, if you'd rather stagnate in self-importance with pride in an unchanging identity, steer clear of this film, also steer clear of me.
5/5
Wednesday, April 22, 2015
Movie: A Zed and Two Naughts by Peter Greenaway
Another Greenaway, this time with a much more direct artistic intention than others I've seen so far. His other films have revolved around vivid characterizations and the delicate or intense conflict that can arise between them. Zed is less about characters and more about the concept of symmetry in as many forms as possible.
The most easily recognizable form is the frame composition. Almost every set is purposefully symmetrical and the characters within these sets are themselves symmetrical, twin brothers being the protagonists. There are reoccurring shapes and words presented that have this quality, circles of various materials, the word Zoo shown both forward and backward during various sequences.
But the film goes so much deeper than being simply visual by analyzing the complementary nature of existence. The relationship between life and death is the central theme which becomes an obsession of the protagonists. After a tragic car accident that kills both of the brother's wives they seek to reconcile their loss with research attempting to find some reason behind the event. One brother becomes obsessed with the birth phase of existence from the very beginning of biological life progressively to the human condition. The other analyzes death, taking time lapse film of the decay of biological life using the same progression. Eventually they combine their efforts in what to them would be considered a masterpiece, an ambitious undertaking brought to a perfect conclusion, but to any bystander, a deeply deranged and horrifying result of madness.
However, this explanation only touches the surface of what this movie is about. Greenaway's films absolutely require more than one time through and luckily for me I look forward to revisiting them again and again because this is what the art of film is all about.
Tuesday, April 21, 2015
Movie: The Belly of an Architect by Peter Greenaway
Greenaway is becoming one of my favorite filmmakers, a development slowed only by the limited availability of his films. He has a very recognizable style behind the camera, a good portion of the time spent being absolutely stationary. He seems to favor standing back for a wide angle view and letting the actors do their job. The way some of these shots develop is stunning, using every inch of the screen, using vivid color to his advantage, using clever and aesthetically pleasing composition to express something truly memorable.
The story was a classic one. I wouldn't say it's an overdone plot but it speaks of a theme common in modern society. We seek immortality in various ways, one of which is to seek a young mate, someone vital and virile and excitable, someone to make us feel young. But, beyond a certain point these relationships are unsustainable because the older partner can't keep up physically and the younger partner can't keep up intellectually. This film takes the theme and brings it to the extreme. The protagonist's health begins to fail as he's commissioned to work on an exhibit in Rome celebrating a classical architect. His younger, pretty wife begins to feel lonely because he only spends time with the project and his descent into infirmity. His wife is pursued by another and he is diagnosed with terminal bowel cancer.
Ultimately that's what the story is about, not too complex, no twists, not many surprises, but it's in the way the story is told that makes this film special. Using the ruinous architecture of Rome as a backdrop to Greenaway's obsessively intricate set design and frame composition, this film manages to be one of the most visually stunning of any I've ever seen.
Tuesday, April 14, 2015
Movie: Dreams by Ingmar Bergman
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